Fintan 2

The whole human story is comprehensible only through what is currently known, because of its cumulative nature.

Angus McGillicudy is unaware that he is a descendant of Eoghan MacMurrough, the fifth century Irish king about whom William Butler Yeats once wrote, a few days before his own death “There in the tomb, drops the faint moonlight/ But wind comes from the shore:/ they shake when the winds roar,/ Old bones upon the mountain shake.”  That doesn’t really matter. Most people in Ireland are.  He doesn’t know either, that Shannon, Jarvis, and Jarvis’ date, who is making excuses before the 15 minute mark, are all descended from Charlemagne, and that matters even less.

Ronald Hayes is unaware that he was the only person, in this country or any other, who is not descended from anyone the least bit famous, and that really was the cause of all of his problems, so that might actually matter.

A bigger problem, if you can believe it, is that the ghost of Odysseus is wandering the countryside collecting souls to man his Final Voyage.  There had been sightings.

A columnist named Sarah Grainne had written that an elderly woman, dying the slow, expensive modern way in a Boston hospital room, had been visited by a rakish ghost who, reportedly, had smiled in a disturbingly erotic manner, taken her hand, and said.

“Look at it this way.  If you don’t come with me, you’ll be dead in a week. If you’re lucky. And then, there’ll be nothing. I mean nothing, nothing. But if you come with me, not only is there excitement and adventure in your very immediate future but you, my dear, will be young and beautiful again. These  are the only things worth being.”

His teeth, again reportedly, were incredibly white when he smiled.

This elderly woman then pointed out that if there were nothing on the other side, she wouldn’t be receiving visitors from the spirit dimension at all, i.e., right now,  from him, so she wasn’t sure she  could trust him in any direction, at all.

“Baby doll,” he had said, “you call this unliving?”

Fintan 1

Part one: Allegro

It was by a series of miracles, not altogether kind, that the fish, Fintan, arrived at the Boston aquarium. As aquariums are, some would say, the perfect place for captive fish, it would not seem to have required miracles, adjectival or not to get him there, but the fact remained that it WAS a miracle—for at one time, long ago, Fintan was the most famous fish in the world.

And the reason he was so famous, as any Irish storyteller will tell you, was that he didn’t used to be a fish. A long time ago, as the Lebor Gabala Erenn states, he was a man, Fintann Mac Bochra, who had traveled to Ireland with Cessair, Noah’s Granddaugther to escape the flood. When that didn’t work, and everybody drowned, he turned himself into a fish.

He also spent some time as a stag, and a hawk, or else the hawk was another magical hawk that was as old as he was , depending on who you ask. There had been rumors that Finn McCool had eaten him, or that he’d died after telling St. Columcille the story of Irish history (along with the hawk, or by himself). But it wasn’t true.  He’d just been swimming around, passing the time. Until the wrong trawler picked him up.

Now he wore on his fish-face a perpetual expression of almost unimaginable weariness.

This mostly went unnoticed since, as a rule, humanoids are pretty bad with fish facial expressions.

His presence at the aquarium doesn’t explain everything, but it explains some things.

On the circular stair that passed for the observation deck of the central tank Angus McGillicudy stands. Angus is a redhaired Irishman, visiting all the way from Dirty Auld Dublin town. He is with a girl he’d been dating for some years, and he begins to get a funny feeling, looking at the tank. “Hey Sharon,” he said. “See that little yellow one in the corner?” He gestured, indicating the aged sage.

“Yeah?”

“Is there something weird about him, or is it just me?”

“Can’t it be both?”

Ordinarily, he wouldn’t insist, but that funny feeling kept spreading.

“I’m serious, Sharon.”

“Looks like an old fish, to me.”

“Looks like he’s screaming.”

This is not all that is happening, right then.

Over in the food court, Jarvis Daniels was butchering a first date. He really hadn’t expected to this time. He’d been reading books.

“I’m not one of those love ‘em and leave ‘em guys,” he says. “I really want to get to know you. I want to see you without your skin.”

He knows he’s made a mistake when the color drains from her face, but it takes a moment to figure out what it is. He is appalled. He offers that he is not a serial killer. He is aware that these aren’t words uttered on any first date that goes well enough to get a second one. He sighs.

Also at the aquarium that day is a young man named Ronald Hayes who has come to the aquarium because he is unbelievably high on narcotics and had become completely obsessed with the idea of seeing some fish.

“HEY,” he’d said to his equally stoned friends. “HEY GUYS.  HEY.  I GOTTA GO SEE SOME FUCKING FISH.  I GOTTA SEE SOME FUCKING FISH LIKE RIGHT FUCKING NOW. LET’S ALL FUCKING GO AND SEE SOME FUCKING FISH.”

They hadn’t come ,but he has managed to navigate the T by himself, anyhow. This wasn’t his first rodeo.

Also there, on that day, is an old man noisily eating a piece of bread, fairly near Jarvis. He has crumbs in his beard.

Outside the window, a hawk winks.

The swirl of a thin flounced skirt in motion like the Earth. The delicate line of the trapezius, rolling like a cord (a masculine note in a most feminine body) from the thrown back head, to the ample, muscular bottom, an equator of humming energy. Who knows what a painter’s eyes see? Degas sits in the second floor room, in the dark, watching the dancers.

What does he like better? The moments in the beginning when, preparing for the harsh eye of Madame LaSalle, each dancer tunes her own bodily instrument, en pointe to jete, the soft shadows of the studio outlining each one as a figure alone, brave in the contravention of space. Or, after, when the Madame snaps her fan, and twelve chins point up, and one leg, and twenty four arms raise in twelve arches, the circle of heaven. Does he like one, or the scene, the event?

Or not even that? Is he imagining the gala opening: in the box, eyes fixed on stage, while the chatter of educated Frenchfolk washes around like a thin gruel. And then—the lights, cutting the voices to whispers, the whispers to silence, and the soft red curtain like the flounce of a giant skirt budges, it slides. Sometimes you can tell how rickety the castings are, the way the curtain jerks and shivers as it moves, the threadbare signs, to him, of an impoverished popular aesthetic imagination, holding the mouth of its coinpurse tighter and tighter. But usually, no—usually it happens instead, the chill up the spine, the curtain parting smoothly like soft pink flesh, like the peel of an orange because it is not what you see it is what you feel, then, that renders it. So, impressionisme.

Or does he, because he is a painter, see it all? The first charcoal touches, the hints of figuring on a white canvas, here before the Madame appears. Color turns to shape with the rise of the fan, and shape emerges with all its vitality, the unstilled freedom of the brush. Stop, stop, a misstep. The irritated scrubbing out, here, the nuts and bolts of it, and the freedom is gone. The dedication to make the light in your head a visible image takes the form, always, of a sudden light, and then, the wherewithal to continue when the misstep reveals the hideous machinery behind the thing. The hours in the studio. The pounding of the muscles as a turn is executed again, and again, and again, because it is not perfect, because it must be made perfect. Shapes looming in the darkness of the mind wrought out, first by light, then, then by unimaginable work.

And at last, after untellable hours which still must maintain the illusion of ease, after blood has been shed to make a limping human thing a goddess, the light in the foam of the sea the outstretched finger of Poseidon, yes, the painting and the dancer the same, the human form straining with so much more than it has–after tears and pain and oui, oui, non,  NON, oui— the curtain moves at last, and—voici, L’art

Oak prows dividing moss-water. The stars above, newly-made. The longboats on their night-time career, thin knives, cutting the darkened waves.

This is the Cyclades, long ago. One of the great mysteries of the world. Long before Britain ruled the sea, long even before the Phoenicians, the people of the Cyclades plowed the deeps. They had to. Their little islands were a habitation only collectively. In each alone, much was missed. Some lacked drinkable water, some game. Some the material for tools. Who would live here?

This was not an expedition for food or water.

Up swing the oars—25 men, sometimes the whole population of an island, pull on the wooden handles together in time. The fastest crafts the world would see for another thousand years. Silence, the soft swish of the parting sea, the drip of the emerging oar. The stars wheel and wheel over an empty Earth, the morning of the world.

Soon other sounds, the plunge of other oars. Torches flare in dark groves, rushlight, the dance of shadows. Islands rise ahead. They are not going there. Pieces are breaking off of the night, more boats, they pour into the water, a tiny armada. Low, lower than the waves they crest with practiced hands. Each rearing wave forms a tunnel of night as it crashes down and lifts the boats of the first people.

No one speaks. All move together. The longboats, 15 of them now, surge towards the open sea. Where are they going? They stop. They form a circle of boats, riding up and down on the waves. No more than 10 miles from land, but a long way for them. A single boat detaches from the circle, sails its way into the center, stops.

A man stands in the center of the boat, knees bent, balanced on the balls of his feet. He points to the heavens, and a shaft of grey appears across the eastern sky. No one moves but the stars, which begin to fade. It is dawn.

The chieftain raises his palm to the first people and draws a knife across it. Drops fall on the ocean, which begins to boil. The people watch impassive.

A ray of light climbs over the long sea horizon. The sea is frothing next to the chieftain’s boat. In the first rays of dawn, it bubbles black. The people make no sound. A black spot is spreading in the ocean, small, like a patch of bitumen, then wider. Wider. It is a circle now, and growing, waves are spreading from it, rocking the boats of the people. The sea is growing wild.

The chieftains leans from the side of his boat, over the dark water. He raises his hand to the East. Then, like a stone, he drops in.

The dark water closes over him—and disappears. The sun raises its head on a circle of canoes in the pristine blue waters of dawn. The people raise their oars and begin the journey home.

Imagine a man. He wears an overcoat and a scarf, and he carries a briefcase. What does he want?

He is a Russian spy, and he wants Pentagon secrets.

He is an insurance salesman looking a little better so you know he doesn’t sell insurance to the riff-raff. This guy actually provides a valuable service. He makes you feel like you’re not riff-raff.

He is probably not a wealthy oil baron.

He probably wants sex.

Imagine a ceiling.

Is it a Byzantine mosaic? A tessellated white and black pattern like your kitchen floor? Asbestos? That white clumpy stuff they make ceilings out of, I don’t know what it is. What does a ceiling want?

Who cares about a ceiling?

He beat the drum with both his hands like his skin was talking out of them, whoomph, whoomph, two quick shouts. He wanted you to hear the drum. There was something in the drum, religion, an old voodoo spirit. Don’t put it into words, Saracen, you can’t put it into words.

When I want to leave a room, I roll it around in my head first. I see if I think I’ve been there long enough, and if not, I decide on a time that seems to indicate to me a time that is long enough. I think of the people I will have to say good bye to, and whether I have been funny or interesting. You’ll just see me leave, you probably will not reflect on how I have felt thinking about it.

Whoomph, whoomph, talking. It bounces off the ceiling, I suppose you can feel it in the street. I wonder if it has language that will survive the transition to force. Do they see it over 84th street, a cloud of speech? How familiar are their legs with drum speak?

I rarely remember that I’m in a body, which is curious because all I see when I walk around are bodies. Now, obviously more than usually.

I wish I didn’t want to leave. There’s nothing boring about this on more than a technical level—that level being that, technically, I’m bored. It’s hot and sweaty in here. No one’s talking to me and I’ve sunk below the level of cool that enables me to imagine that anyone will talk to me.

A horn starts in, red notes and blue notes, a long lonesome sound. More sweat. The drummer’s hands bounce, nearly invisible. No sticks, nothing intermediating the kinetic experience. Leather on leather. The sounds weave in and out of each other. Should that happen? A trumpet makes a sound, quantifiably a note. Drums don’t play those. How does that work?

The bartender is asking me if I need another, like that’s a question I should know the answer to.

He adjusts his scarf, puts the briefcase down, just for a minute, looks at his watch. He exhales. He picks up the briefcase. His back is straight, the whole time.

Chapter 10

Dr. Katherine nodded. “The third voyage of Odysseus, you say? Well that’s an easy one.”

“Is it?”

“Yes. There isn’t one.”

“Oh.”

“But….” She paused, a finger in the air, concentration on her face. “Come to think of it, there should have been, I believe.”

Aneirin looked up.

She pulled a volume from the wall and began flipping through it. “Let’s see here….yes, alright. The first voyage of Odysseus is to Troy. His second voyage is the voyage home, but….”

She held the book out to him, pointing to a passage. “Book 11, 130-152. Tiresias, in the underworld, explains to Odysseus what he must do to appease the god Poseidon, who has cursed him for blinding Poseidon’s son, the Cyclops Polyphemus.”

“Poseidon? That was what whoever sent the message called himself!”

Her eyes twinkled. “Naturally.”

“Doctor,” Aneirin said, “What is it that he had to do? To take the third voyage?”

She looked down at the page and read aloud to him.

“You must go forth, once more—to a land beyond the edge of the world. Carry your shaved oar upon your shoulder, until you come to a people who have never heard of the sea, whose food never tastes of salt, strangers to the ships with their red sails and long oars, that which makes her fly. Walk until one walks beside you, one who asks you, “stranger why do you carry with you that winnowing fan, from so far away.

There, plant it in the earth, and sacrifice fine beasts to the lord of the sea, and render up noble offerings to the deathless gods who rule the giant skies.”

Silence fell.

“It seems,” she said at last, “that you have much to think about, Aneirin. Do let me know if I can be of any more service to you.”

Chapter 11

Elizabeth Browning Barrett’s name was a joke that almost nobody had gotten even back on Earth. She was not actually a cook, she was an administrator, a bureaucrat. However, when the cook who the ship had hired, in those heady early days, turned out to be a man who could make a mean soufflé but who was completely hopeless at meeting the demands of a 30 member crew for three meals a day plus snacks, she’d stepped in. Her innate talent for organization, and her courage, the essential quality of a cook, made her a natural.

She was also married, technically, which was part of why she was here. They’d been separated a year or so, after a romantic disaster so painful that when she had gotten word that she could literally leave the planet for, essentially, forever, she had literally thought that it seemed like a good idea, even with the divorce still pending.  So maybe she wasn’t married anymore. Who knew? Or cared?

Now she was walking the halls.

The New Argo had three and a half decks. The top deck had only two rooms, the sun porch, and the cockpit, standing opposite each other at what was imaginatively called the ship’s prows. The next deck, the first full-sized one, was mostly living quarters, because studies had shown that even though phrases like “up” and “down” had very little meaning in the vacuum of space,  crew morale was negatively  affected by the feeling of living below-deck. Below that was the social deck—mess hall, card room, entertainment systems and so on. Below, as ever, was a hold.

At night, when there was a lot on her mind, she would pace methodically, top to bottom. It was spotlessly clean, for the most part, thanks to “regulations”. That was military heritage for you, even for people who were mostly civilians before. In a way, they were a relic. Every ship was, that had been out any length of time given the time-bending needed to get anywhere worth getting to in the Universe, but they were in a different, more pronounced way. The New Argo had set out in the early days of interstellar travel, when it was still being painted as a heroic adventure. They were that kind of men and women—people who had never really fit on Earth, who’d always felt that call that for so many centuries had not been a viable option. In the first burst of enthusiasm for such things, a surprising number of people had signed up.

In the endless, silent night of space, more than a few had come to regret it. But there was no way back. Nor were they all there entirely by choice. More than one passenger had something in their past that made leaving Earth forever something very much worth doing. But, the unwritten code of being locked in a tin can for, essentially, forever, meant no one asked, and for the most part, no one talked. Everyone got on well, too, if only because there are ways to make even a trip that takes forever seem endlessly longer for bad apples. It really was, for so many, a second chance, even if what they were doing now no longer seemed like what they thought they’d be doing. Some were still grateful.

She was on the second deck now, when an open door caught her attention. Wendell’s room, she thought. Nothing too unusual there, despite regulations. Probably just too drunk to close the door when he passed out. Besides, if anyone stole anything on this ship, where would they keep it? Still something didn’t seem right to her.

Slowly, hesitantly, she reached out and gave the barest knock with her knuckles on the door. She heard what might be the sound of something moving inside, a kind of gasping sound, then nothing. She waited for what seemed like hours. No more sounds. Finally, she held her breath and pushed the door open.

She put her hands over her mouth.

Chapter 12

In the snack kitchen, Aneirin ran into the Mcilwane brothers. All three of them, in good spirits as ever.

“Hey, Aneirin! Come by for a beer?” He thought that was John, the older one. He nodded and sat down.

“Well my friend, have I got a treat for you. My own recipe. The new batch just finished last night, me and the boys slaved over it all month, you’ll love it.”

That was a joke. On the Argo, there was one kind of beer. Eventually it would run out. John, if that was he and not Jack or James, set in front of him the same can of Miller that was all they’d had for years.

One of the other ones piped up. “Actually, I put some love potion in that one. I thought something pretty might walk through the door. No offense, general.”

“Offense?” said the third, “he assumed you meant him, and was flattered about it till ye had to go on and keep talking, as always, you thick thug like.”

Aneirin smiled.

John, (slightly) bigger than his brothers, peered in at him over his massive forearms and spoke in a conspiratorial whisper that more or less shook the room. “Now level with me, Englishman. I haven’t heard a Zooms score in about a month.”

Aneirin shook his head. “Zooms?”

“The Zooms, man! The Dublin Zooms?” He leaned in and a shadow fell across the table. “The phone is broken, isn’t it?”

Aneirin looked at him for a minute, then nodded. John laughed and clapped him on the shoulder, in a way that would probably bruise soon. “Ah, sure, it’s a machine isn’t it? Well, they’ll have it up again. Who knows? Maybe it’ll even perk old Wendell up to have something to do, do ye think?”

Aneirin smiled. “I’m sure it will.”

“Ah, leave him alone, John,” said one of the other ones, “there’s things to do on a ship besides indulge your obsession with Irish bam-ball.”

“Name me just one other thing, and I’ll consider not clouting ye across the room.”

As Aneirin walked back to his room, feeling good for the first time in what seemed like weeks something pricked the back of his neck. He stood before the closed door of his room knowing something was wrong.  Something had happened….he opened the door.

Elizabeth was sitting on his bed, looking up at him with eyes that didn’t let him, even for a moment, think this was a good thing. “Wendell is dead,” she said. “He hung himself. I’ve told the captain.”

He sat down next to her. She put her arms around him. After a while, they tried, fitfully, to sleep.

Chapter 14

The tall shadowed figure waved his hand at the communications room monitor. “Show me another.”

A boat is on the shingle, gray, just above the waterline. Hard to see.  A longboat. No one in the village put it there. Night is falling.

A man peers out his cottage door, then slams it shut. Night is coming faster than it should, a sudden darkness that covers the land quickly, like a black sheet. The wind blows from the waters, making a hollow booming sound. The old folks know what day it is.

A dim fire burns on the horizon, like a hand holding a torch. All else is night, but there are no stars.

There is a figure standing on the beach, dressed in a long black coat, with a flat black hat. Was he there before? He is towing, behind him, an empty cart, with a lantern on the end. The creaking of the wheels can be heard throughout the village. His hair, in the flickering lamplight, is dead white.

It is Brittany, the Baie Des Trespasses. The 17th century. This is a rural hamlet of fisherfolk, used to the prodigies of the sea. Hard people, among treacherous sinkholes and forests barely tamed. But tonight, no one walks outside. Tonight, all the doors are closed.

The figure walks down the midnight beach. Who is watching? Who can? Slowly, painfully he makes his way down the row of rude huts, and knocks on one door. The man who comes out, shaking, he is a well-known man, and well-liked. But no one knows him, right now. No one will speak for him, now.

Together they walk down to the boat. The man in the black coat is so tall. He leaves no footprints in the sand, nor the cart he drags still, behind him. The torch in the sky flickers as if caught in the wind, the waves whip up into white caps. The sound of them on the craggy rocks is like footsteps.

The two drag the boat out into the water.  The man in black leaves the cart on the shore—and as he steps into the boat, it sinks in the water, lower, and lower, as if it were full of passengers. He seats himself at one end, he doesn’t say a word. The chosen man begins to row.

Miles and miles over a sea like black glass, but it seems like it takes moments, just seconds. Like a dull shadow there rises before him a coastline he does not know, he, who has sailed these waters since he was a boy. There is no moon, but if there was, he could see that the face under the flat black hat is no face at all. Just then, the water begins to foam.

The tall man rises from the boat, and steps onto the shore. The wind, blowing steadily since the voyage began, suddenly dies. All is still, so still even the sounds of the sea cannot be heard. And then, from the great darkness, a voice rings out, calling a name. And then another. And another. And the boat rises slowly in the water, as if disembarking passengers.

The dead ones go to the one who waits for them, and knows them each by name.

At last, the voice falls silent. The man still in it looks, but there is no one on shore, not the tall man, not any sign of human life. Tentatively at first, but then with speed, he raises his oars and fights back the way he came. The wind begins to blow.

When he looks over his shoulder, the coastline has disappeared. He doesn’t look back again, the whole way home. No one asks him where he’s been. They know.

Chapter 15

Elizabeth counted in her head, at the giant stars roaming outside the port windows. Her cattle of the sun, here before any sun would have risen, on black pastures, and she was counting cups of milk for oatmeal.

Never forget, she thought to herself, that there was a long long time where none of this happened. Then we were earthbound. Monkeys. But she had some intimation, she knew, but perhaps she could not say, that freedom is in the heart, that the vast plain speaks in its tongues to whoever can hear. And long before they got here, and asked, what else, what else, there they hung in the sky, god’s baubles, the nine Chinese lanterns which named a tiny galaxy in a huge universe. It should seem small. It didn’t.

She remembered, as a little girl, not knowing what would someday be possible, her favorite: the red chord of Mars, quivering in the sky like a string of an abandoned harp. Perhaps that was why she was attracted to Aneirin. The sting of things remembered. . It had been a long time since anyone had heard that music. The belt of Orion, who never came down from heaven.

Aneirin himself was sitting in the corner, tuning his harp, lost in his own world. She was in hers, but the universes touched. He said, “houses have stories before you get there. Ships don’t.”

She answered, but didn’t answer. She was speaking to herself. He was there.

“Do you understand that voyaging is what we are made for? The human body dropped from a tree, like humpty dumpy, lost all its hair, and suddenly it could move. Five years later it invented the car, then slapped a rocket on it and took to the air. Your Odysseus, like you said, he could have walked home. But he didn’t. He didn’t because something grows in a person, when they’ve got the world to learn from again. There, we are babies, and we are geniuses. We learn everything we’re shown. Infants could swim the English channel. Teach them fifty new languages.”

He bent over the harp, his dark hair sweeping over his brow. Hummed a note and plucked a string.

“You have to get out, I know. There, the nose wakes up. The eyes start seeing things. You’re too young, I suspect, to remember cities well, but I can tell you it was an animal house. Walk down the street like a herd of buffalo, devoted only to the art of not noticing anything. Is that house new? No, you bastard, no. It’s been there years, You forgot not to use your eyes.”

“Do you know that’s where the gods come from? Hypersensitive agency detection, I’ve read about it. Your monkey ancestor has to know, when he hears a twig snap in the forest, that a tiger is there. The brain just never stopped knowing that. Do you hear the music when no one is playing it? Do you dream, Aneirin, do you dream anything?”

He played a chord, which rippled the stale air into something liquid and strange. She was talking to him because almost nobody heard her say anything, but he had magic too, she knew, and somebody had to hear it. She was challenging him now, to see what he was made of, to see if he could take it.

“It’s the twig snapping in the forest, and we can’t stop imagining tigers, even out here, where the stars line up like runways, but we never ever land.”

“So we’re out here,” he said at last, “to create new gods.”

She smiled, a proud smile. “It’s the only thing to find in nothing, boyo. It’s the only thing that could be there.”

She turned around and cupped his face in her hands. “Listen to me,” she said, and it seemed to Aneirin, then, as if something were speaking through her, some great white thing, whose wings he could almost feel. “This is the most important thing I’m ever going to tell you. If some day, Allah forfend, I have to tell you to abandon ship because some mutant space dog has mistaken this ship for some kind of giant chew toy, it will not be as important as what I am about to tell you now.” He nodded.

“The Universe did not begin with a bang. It began, like Stephen Hawking says, with a Big Bounce. It didn’t begin at all. For decades, scientists have wondered whether the universe is infinitely expanding or whether it will reach a certain point where it loses enough energy to start contracting again. It’s the second one. But when it contracts, when it rolls up into that little primordial egg again, then, Aneirin, then, it all starts again, which has probably happened several times before. This universe is 15 billion years old, but there is just no telling how many universes there have been. Which means that I, you, and everyone we know have been as many things as there have been universes, and will be a thousand things, again and again, and we’re all just bits of recombinant matter floating down an unobvious string.”

Aneirin looked at her for a long moment. She kept his face cupped between her hands.

“So,” he said, “are we a couple now? Or what?”

She laughed, and kissed him on the nose.

Do beards matter?

I grew a beard for three weeks and then shaved it off. No one but Robyn commented on its existence or lack of existence, when that latter time had come. There had been beard, where previously there was not, and one day there was not where there had been. The whole experience left me only with questions.

Questions like, if a beard falls in the forest and no one is around to hear it, does it make a sound? How good a friend do you have to be to somebody to comment on their beard, and could it be that few people here feel they’ve met that standard of friendship with me? Could I, then, be doing more? If you leave the Easter candy your girlfriend’s mother sent you on top of the microwave for a few days, will you become radioactive if you eat it?

These are the questions that I ponder. As I glow quietly, in the silence of my kitchen.

The hours blossom into pearls of bizzarity.

Look, I spend a lot of time alone. I do, I spend a lot of time sitting, and I’m reading books and looking at dictionaries . When that happens, social interactions are particularly intense. Especially for someone as weird as I am, I gotta, you know, I gotta get it out all at once. I think people hate having dinner with me now. I imagine it’s like watching someone have all sides of a three-person conversation at once, without pause. It could be weirdly fascinating. I’ll have to do a survey.

The thing that happened to me the other day involved a box of beer that I’d bought. Took me a while to get through it, and all that time, there was this big box sitting in my fridge. So finally, I finish it and….

My friends, the things that were behind that box. The things that had sat behind it, in silence, growing poisoned with malevolence and mold, but mostly mold. You do have to pick up your life and shake it once in a while, but you could do worse than starting with the things that sit at the front of your fridge, obstructing the view.

I’ve been playing soccer, which is good. Standing on my feet, rather than having them dangle, gently, from my ankles, as I sit on whatever object is being sat upon, at that time, is a big step up. Moving them quickly, even kicking things with them, is so far beyond the pale of my usual activities that indeed I AM tired after five minutes. But, also, exhilirated.
Keep on keepin’ on, groovy cats.

You know, all apartments have noises. My own is notable for a certain gurgling that makes it sound like the sink’s about to hurl and an interesting basketball sound coming from the heater. Robyn, on the other hand, lives on the only street in Providence which anyone takes to go anywhere, which often leads to my accusing her, of a morning, of staging some sort of major Nascar event in the wee hours which, for whatever reason, she has not seen fit to also attend. Recently, I almost got into a boxing match with her radiator. These things happen.

It’s not overall clear yet whether grad school social life is weird or adult social life is weird. We’re all busy people, so, besides the grad center bar–our own little Cheers–it’s quite possible to go without seeing a friend for a month or two at a time.

There’s a second problem. If you consider the sorts of things that people are interested in as being  “interesting”–and really, why should you?– it is the unavoidable conclusion that among the many fascinating, intelligent people with whom I spend my days, I am among the most boring. I had 3 classes today, for example, totaling some five hours of class time, and saw a total of 13 people.  It’s remarkable to consider what my social life would consist of without Gchat and Facebook. Remarkable in a kind of Tom Hanks “Castaway” kind of way.

More soon.

Ways in which I have recently been cruel

1) Being the person to point out, to the one person at the party(?) who didn’t know anyone else, and who was no doubt nervous, that the “strange-tasting” beer he was drinking was, in fact, a club soda.

He saw the Canada thing and figured, Molson’s.

2) Breaking Mario’s heart. My Halloween costume–The kid from Where the Wild Things Are, only it’s some years later and some shit has gone down, including: ears, tail, and a sign that says “Wild Things Stole My Money For Drugs, Then Ate My Family. Homeless and Addicted. God Bless”.

Mario, of Mario and Luigi, caught sight of me on the train, looked me straight in the eye, and said “That’s fucked up, man. I’m sorry.” I said “it’s okay, dude”. But I don’t think it was.

Some dreams die hard.

3) When my Greek teacher, in the rather small classroom, full of freshman and yours truly, suggested that the classroom seemed to be getting smaller, I suggested it was the freshman fifteen at work.

Much love,

A

New York

This weekend I headed down south to the land of the pines, but I got a little bit lost and ended up in New York instead. Decided to make the most of it.

Got the chance to see Leighton perform  “Ruby Sunrise”, in which she was just superlative (can I use that without a noun? I think so?). I mean, really. There’s plenty more to say on this score, but I think I’ll leave it with this: the director seemed to know it too. This was a teaching play, so all the players frequently switched parts, yet somehow or another Leigh always seemed to be saying the important lines at the crucial times.

As for these other lads.

The first night, we feasted on Orlee’s famous pumpkin soup, of which alchemy its production I know absolutely nothing, and some home-cooked sausage. New York, so we’re all clear, was indeed a sausage fest. We strolled out to a bar where I was drinking on Will and Aaron’s tab (for which reason I spent literally the entire next day hungover), and played darts with a costumed stranger who claimed to be none other than the estimable Ross Cowan. No one believed him. He played a good game of darts and talked a good game of life.

Halloween was great. The L train was especially memorable. We got on at the terminus, so we sat for a while whilst other trains unloaded onto it. There is literally nothing in the world to be sitting down on the New York subway, and to look up and see, pouring down the stairs at a run, hordes of Michael Jacksons, and Abraham Lincoln’s, the Blue Man Group, Ninjas, etc…even a couple of normals. One woman’s costume was apparently “topless, slightly obese woman”. It went over well, with the populace.  In other cases the game “costume or weirdo” could profitably be played.

The next morning, Leighton and I discussed her plan to dress as a tree outside the NYU building, and every day, move just  little bit closer to the door. I got a behind the scenes look at how security guards won’t let you upstairs to see friends of yours without things being signed in a ledger. Also discussed: the future’s efforts to manipulate us, spiritualism, and my ongoing attempts, apparently, to injure Abe Lincoln.

Sorry, big fella.

Anyhow, hope all is well all over the world. From what I understand, Shadow’s halloween costume was an adorable little dog who didn’t get to sit on the couch or play with trick or treaters. Thanks to all my hosts….

Anna Begins

The first several times I heard this song, I thought it was boring. Most people I make listen to it, and over the years that’s been a lot, think it’s boring. It’s not boring. It’s a play.

Don’t give me that need for instant gratification. It’s a 4 minute song. You were going to spend it on facebook.

We are so slow, in this song. It’s just a rhythmic feature: My friend assures me…bad um bum…it’s all or nothing…bad um bum…From the beginning, we ask too many questions. There’s a girl, and the situation isn’t right. Our friends ask, what do we feel. We know we feel. We are not worried, we are not overly concerned. There are things I can do. I’ll make her happy enough, she’ll get another vacation out of it. All of these things are lies and slowly disintegrate. The rhythmic feature exists unadorned so you can listen to the voice. The voice gives you everything you need, sailing with a kind of resigned desperation through a series of points retreated from. I say “it doesn’t bother me to say it isn’t love”, because it does, because it does, who would think to say such a thing otherwise. Does it come up in casual conversation? Is it small talk? It’s in there “you try to tell yourself the things you try to tell yourself to make yourself forget”.

These things are “I am not worried. It doesn’t bother me to say it isn’t love. Because if you don’t want to talk about it—why don’t you want to talk about it? Is the problem me?” Love comes untimely, inconveniently, it would be better if it didn’t, say it didn’t. But it does. We hit the chorus. It takes two full verses to get to the chorus, that’s why this song is boring. Two full verses, with two bridges. These seconds when I’m shaking leave me shuddering for days, she says, yes, because it is there, inconveniently, and it will out.

Finally this chorus. The guitar jumps in, triumphantly, a little piano in it. A hopeful repetition of driving notes, and something under. Play with pronouns—she starts to change her mind. Who’s the pursuer and who the reluctant pursued here? Is she ready, and I am not, and now she’s not so sure? Why does that change anything for me? But it does. I’m just washed away, and all the things I’ve thought and said. I’m just… But. It’s pulled away. Instantly the chorus disappears, like it was never there. The rhythmic feature. I’m not going to break. I’m not going to bend. It doesn’t change anything. I’ll just forget about her, I’ll put her down in the album, these strange and beautiful butterflies who I did not keep but framed. That will be enough.

But I can’t sleep.

And we boom into the chorus. Really, this time. All of it, and complete surrender. Every time she sneezes, I know I’m wrong. I hear her murmuring, as we sleep—I can’t sleep, we can sleep—and I know I’m wrong. Now it’s my mind that begins to change, pronoun shift. I’m not ready for this sort of thing, but that’s not an objection, that’s the facts. Never are. The background jumps in “Rain falls down, Rain falls down”, and I soar over it. Time. I understand. I understand. I’m not ready. Doesn’t matter. Chased away, and washed away, reminded unpleasantly that planning dissolves and inconvenience happens, ready to embrace it.

It disappears like a whisper. She disappears.

Am I Busy

A great deal of my time these days is spent meditating on the question “Am I Busy”? That, of course, might be why the answer is probably yes, since I could be spending that time working but that’s just how meta I am.

(Meta, by the way, like goth or emo kid should be an aesthetic choice. I’ not sure what it would look like. Maybe you’d just walk around with pictures of yourself as a child safety pinned to your clothes. Stay tuned for updates).

I mean, here’s the basic deal. My time is literally consumed with what I have to do. To the point where the fact that I’m on campus in classes from around 11-3 daily (on wednesdays 10:30-8, but I digress), is a significant barrier to actually getting done all I need to get done to be there. However, and let’s be honest here, 11-3 is TECHNICALLY the only time constraint I have. That’s the only time I really have to, no questions asked, be somewhere doing something. My Medical School friends and my Drama School friends (some of you are my unofficial Drama school friends, but that’s neither here nor there, you whiny crybabies) are literally at places from sunup to sundown. So if I want to, say, grab a beer with a friend, I might say to myself, I suppose I can stay up working till 1 rather than 11 tonight and go do it. Whereas, say, Dr. Friend will have to say “Actually, I’m elbow deep in a dead person right now, I’m sorry.”

And my 9 to 5 friends, who have certain luxuries that I don’t, such as, at 5:15, being able to say fuck this I am now an alcoholic for the next four hours (or whatever), may spend a good deal of their time doing things that don’t particularly thrill them at all, even if it’s in a job that they actually quite like. Whereas all that I do, if not directly applicable, is at least ultimately a building block for my own, personal passion (no, not that one. That’s the dark, terrible one. This is the one I can tell adults about).

None of this means I wasn’t, for example, studying Hebrew until 1 am, wednesday, after going to class from 10:30 to 8, nor until 12 on thursday, alternating between Greek and Akkadian (what the hell is Akkadian? You say.) Or that I ever feel on top of what I have to do.

But I don’t know, I guess when you’re just doing something for you, and it can’t matter to anyone else how you do at it—my doctor friends, for example, in their position of saving lives, should probably be good at what they do. Although don’t get me wrong, I’d run out of the operating room if I heard a name I recognized. Also, an airplane, for my pilot friends. I would run out of an airplane. I would do that Wiley E. Coyote thing where you’re like peddling the air for a minute, and then I would fall and make a nice mushroom cloud of dust. Or whatever.

I guess—when you’re just doing something for you, when it can matter to no one else what you achieve–It’s just not the same. I don’t have words for how it’s different, but every single aspect of every thing I do is my fault and my choice. That’s cool, man.

What’s remarkable about most of my graduate school work is, I suppose, that it’s all thinking work. That is, I never have an assignment or a project I can do while watching TV, having a conversation, juggling three chainsaws. This is alternately a source of happiness (I HATE busy work) and concern–In terms of working late into the night, or when tired, and so on, it is always possible to do so with work that merely needs to get done. Information that needs to be internalized, or remembered, or built upon, is information that mostly needs to be learned when one CAN think. Which I can’t always do, after, say 11.

I wonder the extent to which the brain is like a muscle and focus is like an athletic system. Is it possible to get used to lifting heavier weights with your mind, as it is with our arms? It was, when we were younger. Now? How bout attention. If I practice meditation, say, and get very good at narrowing in on a single thought or thing for longer and longer times, will it be as running on a treadmill is? Is it a skill, something I can improve? I think this may be the case.

I’ve been battling a cold, and by battling, I mean, I’ve drunk so much liquid in these last four days that I’m setting world urination records. Yes, there are records.  Why would you question something like that? Bastard. Anyhow, I’m getting better, and I’m excited to resume healthy interactions with human beings(well, healthyish). I’ve now also received a plant from a friend,giving me another living thing in the apartment, which I am now in the process of gently killing. I had help from a recent storm, but, then again, ’twas I who left the window open. Too much of a good thing, indeed.

So next week has the usual barrage of meetings and work, crescendoing till wednesday, followed by a graceful decline into insouciance, and I’m hoping to get the rhythms down j ust right.

It has been an interesting time, blogosphere. The best thing about grad school? Being surrounded by talented, interesting, and passionate people. There’s no real worst thing. There’s lots of work, but A) it is work for which I get paid, and get health care, B) it is work, the dimensions of which I have personally chosen to commit myself to.

Interiorally it’s been a time of upheaval and self-concern–but there is nothing new there. If I had an interior decorator, it would be in a k ind of needless baroque. “Not only is that arch far too complicated, it’s actually a threat to the structural integrity the way it is.” “Yes.” Well. I’m still functioning reasonably well.

I’m taking three dead languages, none in either the same alphabet or the english alphabet, so that’s fun. There are, as expected, two students in Akkadian.

I’m glad to be here, I’m glad to be testing my brain against difficult things, I’m not sure what’s going to happen to me as a person and I’m sort of sure that’s par for the course.
Bonne Nuit…

I feel, in general, older and dumber–but I’m meeting new people who seem, altogether, great. There’s an extreme sense of comfort that comes with knowing that, for once, I get  to stay in the same place for a little while.  There is No  Rush.

Last night was waterfire, when I and some folks who have not yet decided I’m not cool enough, headed down to see piles of logs, in the middle of a river, get set on fire–which is either exactly as cool as it sounds or much cooler than it sounds, depending on…how cool that sounds. Somehow or another one of these people ended up with a bottle of wine, and we drank that bottle of wine, and then we went to a bar.

And then we went to a party SPECIFICALLY for this reason: at a party the night before, two guys had told my friends that they were going to have a party the next night but that in the night in question (yesterday night) they were going to go home and sing Queen together.

Not only were there a lot of interesting people, and apparently, though I missed this, some gratuitous displays of abdominal muscles, there was a “robot” dance fight. In fact, I had to robot dance fight just to be allowed to leave. Challenge accepted.

Today was the beach, past Point Judith where, 30 years and a bit ago, my parents had set off on their honeymoon. Good omen! The water was tres froid, but the beach was just right. Dinner at Captain Jack’s, the swankiest restaurant in South Kingstown, RI. We’ll see…

I’m off to Providence, tomorrow. YOU KNOW WHAT THAT MEANS.

I doubt you know what that means. If you do, tell me. You ever sit there and really think about the divide between you doing things and being things? I ain’t no different, I’m in a different place, doing a different thing. Let’s grow. Whatever.

I have four things, currently, in my apartment–besides a bed, delivered during my last trip, which has not yet been slept on. Three of them are cups, and one of them is a frosted mug. Which is, not coincidentally, the only thing in my freezer (or fridge). I’m basing this both on previous inclinations (my own) and the recognition that the coolest professors I know were those most likely to have a few at our gatherings. At a certain age, it even becomes urbane, although probably not the way I’ve been doing it.

It’ll be a while, I think, before I have many friends up there. Because I’m in the field of religion–even though it is not, in my case, because I’m distinctly observant–it’ll be a while longer, even, before I have drinking buddies. This will therefore be a lonely task, for a while, but I have a responsibility. To life.
Okay, for serious.

Am I excited? I am excited. Personally, the last month has been tumultuous. What remains unshaken is my wish to pit my mental energies towards considerable challenges and succeed, to explore mentally vistas unexcavated. I want to spend three years absorbing everything, then come out of it like one of those babies who suddenly start speaking in complete sentences—when they’re ready.

Spiritually, I’d like to be a better person. This is something everyone has room for. There are, I think, some good things that I do out of a feeling of duty but I wish to shape myself so that this can be a joy. Life should be joy. Except for paperwork.

We’ll see.

I’m going through some personal stuff in my life. It won’t appear here much, because I don’t want it to, but if anyone’s coming her wondering if it’s all quiet here–the answer is, no, it is not, but we’re trying.

There are certain moments in your life, I think, that remind you the universe is essentially private. Some events, we all have the same reaction to—others, we all react to differently. And in those times, you find yourself in a place where no one can really enter, and you can’t really leave, and it’s not the worst thing in the world. It’s just dark, and quiet, like a cave with an underground stream. Eventually, maybe, you learn to use everything. And I’ve done that before.
I could say more, I won’t. It just made me feel bad to think there was a place in the internet someone could go to, to ostensibly learn about my life, and think me untouched by recent events.

So we’re Dallas residents for another week, and we are laying low. Recently, I drove across the country with Mark, also known as “The Human Compost Heap” for his value as a human being. The stops were as follows:

1) Memphis, where we got drunk on Beale Street and listened to loud music.

2) Nashville, where we got drunk with Scott, and med students, and listened to our waitress tell us about her experience working at Hooters

3) Charlottesville, where we did not get drunk because we were too sad.

4) Virginia Beach, where we had a lovely crab feast prepared by Aaron’s parents, then went to the beach, where Mark deigned to participate because of a stubbed toe, earned by failure to flip-flop correctly. Then we got drunk.

5) DC, where we got drunk MOSTLY by ourselves, but also with my friend Megan and her boyfriend. While Mark and said boyfriend talked about substantive things like law, they being in different stations in their almost-law career, Megan and I talked about–nothing. Because we roll that way. Good times.

6) Atlantic City, where we got drunk and made just a little cash in the Seediest Place on Earth (no mickey mouse hat included). Neil was kind enough to  come down. Where he got a dangerous taste of winning at gambling that will no doubt land him in the poor house.

7) New York City, where we got drunk TWICE and Mark threw a bowl of popcorn at me. Also, a Ukrainian waitress made fun of my pronunciation. And fair play to her.

8) Providence, where we got drunk while watching the Red Sox come back from a far too large deficit against the Rangers, in the ninth inning, surrounded by Red Sox fan, and then needed to get drunk again. Which we also did.

Anyway, I no longer have a liver.
Hi Gaytha.

PS. Apparently emoticons have become so popular that even writing 8 ) in a list, with the number and parenthesis too close together, results in a smiley face. Smiley face is now the number after seventh. Update your planners accordingly.

My parents got a GPS for their car, the other day, and I’ve been using it some. It’s a really handy little thing–I had to drive to Fort Worth the other day and nothing bad happened, which was (and is) shocking. But I hate it as a person. Here’s why:

You turn on the car, punch in your destination and it not only tells you how to get there, but what time you will arrive. That’s great, man. I’m cruising to Fort Worth, it’s like, you’re going to be there at 12:18. And that’s terrific. It’s 11:40, it’s 11:50, it’s noon, hey I’m only twenty minutes away. I drive 40 miles and the time never changes.

Okay. This is where it gets interesting. I get off the highway, onto the normal roads. I get stopped at a red light. Green light happens, and I start to go again–I look at the GPS. It now says I’m going to be there at 12:19. Okay, fine. I stop at another light. A longer light. I look at the GPS. Now I’m arriving at 12:21.

And that’s when I realized.

THAT MOTHERFUCKER DOESN’T HAVE TO STOP AT RED LIGHTS.

Here we are in the same car and, I thought, sharing the same experiences. The hazards of the road, together, like two buddies.  But while I’m sitting there, staring at the woman next to me picking her ear, my friend the GPS is zooming down the road without a care in the world. Without me, either.

And he probably brought better beer. Dang.

I was struck by the wild fancy yesterday that I should like to live in Canada. First of all, everyone I’ve met from Canada has been tons of fun. One time, in Europe, Mark and I ran into a Canadian brother and sister traveling together in Siena, Italy. We searched for a hostel together, we got pizza together, we even bought bottles of wine from a super shady place called, in English, “Cafe Desire” and got drunk at the Hostel together. In contrast, we ran into this group of American girls about 4 times all across Europe and at no time did they give us the time of day. Which, FRANKLY, I don’t know if they were holding out for French princes or whatever, but if so they may have wanted to try being more interesting–among other things.

I had several Canadian friends in Ireland, all of whom were a blast to drink with and had unrelentingly positive attitudes towards life. That’s a requirement for me. Life is borne by all of us collectively, I want HELP dealing with it, you know? I’ll hold up my end of the bargain. Promise.

And I’ve been to several places in Canada. Alberta, B.C., Montreal, Quebec–all beautiful places, and the last two seemed a blast to live in. Nature, some history, some international culture, delicious food. Breathtaking scenery.

Also this rap.

I’m completely serious, man. I’m not a guy who hates America by any means, I love Texas, I love the states. But I was a political columnist for a couple years, and let me tell you–living in a country where everything we do matters to the entire world? COMPLETELY draining.

You know what Canadians don’t have to do? Worry whether their countrymen will elect Sarah  Palin and destroy the free world. They don’t have to worry about whether their country might suddenly decide to stop teaching science in school in the name of some religion that’s not only not in the Bible, but bears little resemblance to religion as it was practiced even by the dumbest people 200 years ago. They don’t have to stumble over newspapers claiming that global warming is caused by illegal Mexican immigrants and that the presidential election was an ingenious Al-Qaeda scheme, hatched 46 years ago in Hawaii (OR WAS IT), to bring America under the strong arm of a one man sleeper cell, who will destroy America with policies somehow remarkably similar to those advocated by the liberals in congress well before said sleeper cell took office. INGENIOUS I TELL YOU.

You know what Canadians do when Osama releases a new video tape? They see if Degrassi is on.

Also, when I was last there, I had a maple butter crepe. Maple butter is apparenlty butter plus maple sugar.  Dang, man.

By the way, I’m bringing “Dang” back. If it ever went away….

So I haz this illness, now. Probably nothing serious. Owing to a bizarre test involving cotton and my nasal cavity, it seems it’s not the flu. Here’s a story that no one’s covering: it seems that if you CAN manage to have the flu in this particular year, fear of the big “oink oink” means that doctors are now quite w illing to prescribe medication for what previously would have been one of those “yes, you have the flu, you won’t enjoy the next four days to a week and I sincerely hope the other 359-361 days of your year are nice”.  Which, don’t get me wrong, seems fair, and second of all I’m sure plenty of doctors do give you the tamiflu anyway. Still, it’s an interesting sidebar.

I also liked this comic

You know, honestly? Even with the aches and discomfort, it’s actually pretty nice to spend a day not worrying about furthering myself in some academic way. The one improvement I would like, next time, is to be able to stand near other people without f eeling guilty.That is, unless this turns out to be West Nile and etc.

(Cue Seinfeld bit. What’s with WEST Nile  anyway? Is it West? ARE WE IN ANCIENT EGYPT? The WEST part of…)

Also, facebook informs me that my pets would like me to add them as part of my Facebook family, which raises all kinds of disturbing questions. And also, a rather cute image of Shadow attepting to type. But it would never work, because he doesn’t have thumbs or an attention span.

Achewood on Michael Jackson.

At the doctor’s office today, a nurse–in the process of copying my insurance card–dropped it behind the copier and had some difficulty fetching it out. My mother, who kindly drove me there, suggested that they use one of those long reaching handles. I mentioned that she shouldn’t say things like that, since Billy Mays used to sell them and…you know.

You know…